Art from the Ashes: Seeds of Regrowth
October 12 - November 15
ART from the ashes Seeds of Regrowth Exhibition features over 90 works of art created by California based artists predominately from Shasta County, group installations and collaborative projects from U-Prep and Enterprise High School students. All individual works incorporate materials reclaimed from fire-site locations or are inspired by imagery in the aftermath of the Carr fire. By integrating these materials and imagery into the artistic process, these works symbolize resilience, renewal and embody the transformative power of art.
A fire science exhibit created by the United States Forest Service and California Fire Science Consortium for ART from the ashes will be curated within the artwork focusing on:
Fire Through Time, The Fire Cycle and Living With Fire.
Special event programming during the run of exhibition will include artist talks & demonstrations, panel discussions, community workshops, art walks, docent tours and live performances.
Proceeds from the sale of art and donations will support restoration efforts at Whiskeytown National Recreation Area with a focus on trails, trees and fuel load management.
ART from the ashes Seeds of Regrowth Art Exhibition & Community Program is generously supported by The McConnell Foundation’s Community Vitality Grant, Shasta Regional Community Foundation’s Community Disaster Relief Fund and community partners including Shasta County Arts Council, Shasta Living Streets and North State Symphony.
Visit artfromtheashes.org for a full listing of contributing artists, event schedule and regular exhibition hours.
ART from the ashes Seeds of Regrowth Art Exhibition
October 12 – November 15
Cultural District Redding, CA
All locations are in walking distance of one another.
Old City Hall
1313 Market St.
1348 Market St.
California Street Labs
1313 California St.
The exhibition is free and open to the public.
Connected Perspectives: An Ode to Northern California painted "en plein air"
November 22 - December 21
The beauty of Northern California is evident to anyone who finds the privilege to immerse themselves in it’s glory. Those who get to experience the many facets of the state’s various landscapes know there is more than what meets the eye while exploring. A sense of spirit and freedom surround you as you find yourself engulfed in nature. You feel the history of the area as you listen to the silent trees. A photo helps us capture the beauty and essence, but sometimes the spirit of the rivers and trees and the feeling you get aren’t always easy to replicate.
Some of the great painters from art history felt this same way, but they didn’t have cameras to capture their experience with the land. They instead turned to PLEIN AIR painting, which is French for ‘outdoors.’ To paint ‘en plein air’ means the artwork is created outdoors by the artist on location. The artist enters the landscape, finds the view and perspective, which fancies them, sets up their easel and paints. Mother Nature gets to have a say in the painter’s work while the light is ever-changing. Natural elements and weather play a large part in the work, setting the mood and character. As the sun moves at a steady pace, artists usually work quickly during outdoor sessions, inherently allowing their own energy and expression to manifest into the painting.
Artists have long been painting outdoors, but in the mid 19th century, Impressionistic artists began to use outdoor lighting for much of their work. This is when the term Plein Air painting was coined. ‘Connecting Perspectives’ is a modern collection of plein air artworks by four Shasta County artists who dedicated their lives to adventure and continuing the historic art of plein air. This collection of work showcases Northern California scenes experienced by local artists Chuck, Luke, Susan and Jessica who inspire each other through their unique artistic journeys & friendships developed through their shared joy of painting. ‘Connecting Perspectives’ is a celebration of the artists connecting with the land, each other and themselves while painting in the great outdoors.
Opening reception: Friday, November 22. 5pm – 8pm.
August 2 - September 28
When one from Redding wants to see Contemporary Art, they make the 3-4 hour drive to the Bay Area to the galleries and museums there. I doubt that they would think to drive an hour in the opposite direction up I-5 to the mountains of Siskiyou County. Surprisingly though they could encounter a selection of artists whose work is as contemporary as the work one would find in the Bay Area or any urban Art center. Secret Neighbors is a show of three such artists who reside in the middle of ranching and forest environs in one California’s least populated and largest counties.
We could all agree that one wouldn’t move to a place like Siskiyou County to launch a creative career, in reality it could result in quite the opposite. Ironically though, Mount Shasta was a destination for many a 19th century painters who were eager to add images of the mountain to their canvas. Neither of these three artists lug their canvas and paints around the forest to catch such a splendid view as their predecessors did in the 1800s, but their work is firmly rooted in the development of art during 20th century.
Siskiyou County, Alta California, the true north, is not an easy place. The beauty and mystery of the landscape combined with the complexity of its history and contemporary social relationships produce a dynamic where veins of creativity flourish. But the same tension that stirs creation, can also stifle expression. To make and share art in Siskiyou is to be constantly caught between a rock and a hard place, a place where there is no comfort for artistic norms but one of few places where pure alchemy can happen.
Oliver has family roots in the area which go back to the early 1900s when his mother’s family came to work at the Weed Lumber mill. Reared in the Bay Area but moving around to New Mexico, New York, and Spain, he eventually moved back to the area to take a teaching job at Southern Oregon University. That’s where he met Kim Presley in 2006, a Yreka resident who traveled to Ashland for art classes. Wareham was a fixture in the Bay Area arts but, after a divorce and the rising rents, looked north for space to create his large steel sculptures and purchased an old dairy in Big Springs.
In 2008, Presley spearheaded the opening of a community gallery Liberty Arts, in Yreka. Oliver participated as an original board member and help select the first six shows in which Wareham was one of the exhibiting artists.
Watching her help tend her small ranch, Presley’s neighbors would be surprised with what she does in her modest studio. Closely aligned with artists from the 80s, the conceptual and political works Presley creates are one-of-a-kind, addressing issues or ideas that she feels pulled to. Oliver is mostly known to his peers as a filmmaker in the area for his documentaries on the environment and Siskiyou County history but has returned to his love of painting. His current work is a blending of language and color which won him the Best of Show at this year’s West Coast Biennial. Wareham, who has been a long-time creator of large-scale steel sculptures, has installed many around his spacious studio and grounds in Big Springs. He is also a two-dimensional artist with roots in the modernist traditions of painting. In this show, he has taken a departure from steel to work in less labor-demanding media – cardboard.
Around 1910 Mark Oliver’s great grandfather lost a poker game and with it his hotel in Floriston, California. He moved his family to Weed and began work in the mill. In WWll his mother’s family left Weed to work in the shipyards of Richmond and that is where Mark was born and raised. After college Mark ended up in a small rural community in Northern New Mexico where he painted and farmed for seven years until he was drawn back to the Bay Area and began to exhibit his work. Acceptance into the Fine Art Work Center in Provincetown took him East and eventually to NYC where he had a studio in Williamsburg. Restless, he returned to New Mexico and eventually made his way to Spain and lived and worked for three years. He finally returned and finished his masters at University of California San Diego where he focused on film/performance and installation.
With an MFA in hand, Mark set on a search for a teaching job where he found himself competing against 250 applicants for a single position. After a sabbatical replacement at nearby Ashland’s SOU and then a year at COS he gave up the search and focused on filmmaking. Most people think of Mark as a filmmaker especially for the award-winning documentary From The Quarters to Lincoln Heights he directed in 2011. Few people know of his past as a painter in the Bay Area so this exhibit will offer a glimpse of what he has been up to when he isn’t sitting behind a computer editing. Most recently he collaborated with the Shasta County Arts Council and landed a Local Impact Grant for the project Golden Ghosts.
A native of Southern California, Kim earned an Art degree from CSU Long Beach and worked as a graphic artist in advertising before “making it over the wall” into Siskiyou County thirty years ago. Her interest in art and community led her, and others, to create Liberty Arts in 2008, which keeps her busy outside the studio. She began the process of finding a focus for an authentic expression of substance at the time of a new administration’s inauguration, with hate speech spewing from both sides of the aisle, and a growing crescendo of social hostility. Her work in this exhibition reflects her awareness and rejection of a polarized and uncivil dialog, in what has become a prescribed set of binary values. Understanding that every viewer of American Fray will be offended, the artist hopes that recognizing the debasement of popular discourse may help to soften, and perhaps, elevate the sharing of personal beliefs in a more constructive way.
Since his stint as the first Artist in Residence at the Norcal Solid Waste Systems facility in 1990, where he set up the studio and wrote the safety manual, Wareham has been using recycled steel as the primary source for his sculpture, but he goes far beyond what most artists do with recycled materials these days. It is the “pre-used history that the material inherently holds”, he says, that inspires him. “These worn-out metal things will continue to have a life by gathering, refocusing and rejoining into a collective other life”. Wareham has full control of the new compositions, but they also appear to have an uncanny life of their own, a power as new objects that hold the key to the life of the old: it seems that the scrap metal was always meant to be an element of the new sculpture in the hands of the artist.
In Other Worlds
June 14 - July 27
Kim Fitzsimmons is a mixed media collage artist who likes to play and when she discovered mixed media she thought she had died and gone to heaven. Her process incorporates layers and layers of paint, colored pencils, vintage and pet photos. By combining the vintage photos with the pet photos she is able to construct whimsical worlds that tickle the imagination.
Her found object creations are constructed from found objects collected from parking lots, parks, yard sales, and even dumpster diving. The search is as fun as the creating. She spreads her collection of found objects all over the table and then lets the pieces tell her what they want to be.
Her art work can be found in collections all over the United States
“My goal is to inspire those who see my art to discover beauty in the unusual. Treasure the ordinary and looking past the obvious. Find the beauty in an old couch spring, rusted metal, a battered wooden alphabet block, barbie doll parts or found objects picked up in a parking lot.
I take these discarded materials and transform them into new unexpected creations. As these unlikely components come together I am always surprised and amazed at what I have created. The most amazing creations happen when I just let the art speak to me and not try to control the process.
For me, moving from medium to medium stimulates and inspires me. It definitely keeps me from being bored.
Sometimes people look at my art and ask me why?
My response, because I can.”
Maggie is a fiber artist. She began with soft sculptures and then ventured into art quilts. She also creates creatures using mixed media.
Fiber art enables Maggie to express herself through color and texture, using ribbons, yarns, threads, fabrics and embellishments. She starts with a vague idea and lets the sculpture or art quilt tell her what it wants to be.
She makes her art pieces because it makes her happy — and, as a bonus loves it when she sees someone look at her art and smile.
“Growing up, my favorite things were animals and Loony Tune cartoons. This is where it led – portraying animals how I seem them (and how, hopefully, like they want o be seen). Joyous (yet hard working) dragons, dare-to-be-beautiful turkeys, a flamingo with a passion, jubilant flying frogs, emotional chickens. I love it when someone sees them for the first time and laughs out loud.
Animals have dignity, they have emotions, and they have souls. We should never mistreat them nor take them for granted.
And now that I’m well over a half century old, I can say that animals and cartoons keep me smiling and on the proper side of insanity.”
Kim Fitzsimmons & Maggie Baggett
Annual Juried Middle School Art Competition 2019
April 26 - May 25
Figuring Juncture - the contemporary art of Justin Patton & Karlo Henry Velazquez
January 11 - February 23
This exhibition presented works created by Karlo Henry Velazquez and Justin Patton.
Opening reception was held on Friday, January 11, 2019. The show was part of the 2019 Redding Cultural Cruise.
Justin Patton, Karlo Henry Velazquez
20th Annual Juried High School Art Competition
March 8 - April 5